In my previous post, we raised the discussion about “A clown and a suitcase…” We discussed what the definition of a clown is for us, from what material the suitcase could be made, how the suitcase could be and what the clown could have put inside the suitcase. This conversation reminded me one of the best performances of Marcel Marceau, the Master of all Mimes of all times, in “The Mask Maker”; a masterpiece that leaves you speechless….
Hi, Theatre Games friends!
In my two last consecutive posts, as you’ve observed, I talked about the two theatrical performances I took part in the past, namely “BAR – CAT – CODE” and “W.C.: Workshop’s Cast”. It is now understood for everyone, that although the primary objective of a Theatre Games Workshop isn’t to create a theatrical performance but to benefit participants by helping them realizing who they really are and re-discovering interpersonal communication by building stronger interpersonal relationships through: creative playing, dramatization, improvisation, role-playing and pantomime. Often, however, this experimentation and investigation process taking place inside the Workshop may lead to the desire for a more organized theatrical performance.
This year, always loyal to that, we experiment and investigate the wide concept of “Clown”. Aphrodite Parzakoni, our Drama Teacher, has already given us homework assignments, which had to be prepared and presented inside the Workshop, either individually or in subgroups depending on the nature of the assignment. Today I want to talk about the two last assignments, both of which had to be delivered in written form.
- “A clown and a suitcase…”
- From what material could the suitcase be made?
- How could the suitcase be?
- What could the clown have put inside the suitcase?
- “Give your own definition of a clown.”